Trained by reading hundreds of submissions, editors and agents often make their read/not-read decision on the first page. In a customarily formatted book manuscript with chapters starting about 1/3 of the way down the page (double-spaced, 1-inch margins, 12-point type), there are 16 or 17 lines on the first page.

Here’s the question:

Would you pay good money to read the rest of the chapter? With 50 chapters in a book that costs $15, each chapter would be “worth” 30 cents.

So, before you read the excerpt, take 30 cents from your pocket or purse. When you’re done, decide what to do with those three dimes or the quarter and a nickel. It’s not much, but think of paying 30 cents for the rest of the chapter every time you sample a book’s first page.

Please judge by storytelling quality, not by genre or content—some reject an opening page immediately because of genre, but that’s not a good enough reason when the point is to analyze for storytelling strength.

This novel was number one on the New York Times hardcover fiction bestseller list for July 17, 2016. How strong is the opening page—would this narrative, all on its own, have hooked an agent if it came in from an unpublished writer? Following are what would be the first 17 manuscript lines of the prologue.

Time is a tricky thing, Daniel said to his mother when he was still very young. When you wanted to savor something, it would speed by in a blur. When you wanted to get past something, it would drag on forever. Elaine Garland recorded the quote in her journal, because it was such an astute observation for an eight-year-old.

Much later, she would go back and read the entry, and think to herself that memories were that way, too. When you wanted to forget, everything would return in raw, brutal focus. When you wanted to remember, the details would slip away like a dream at dawn. It was that way for all of them now, though it was something they seldom discussed, at least not with one another. Nearly fifteen years had passed, both slowly and suddenly.

It happened the day after Daniel’s twenty-fifth birthday, and three days before Christmas. He was halfway through his third year of medical school at Yale, and had just returned home for the holidays following his clinical neuroscience rotation, bringing with him his girlfriend, Sophie, a beautiful, upper-crust Brit whom Daniel once called the most charming woman he’d ever met. The two had been dating for more than a year, but this was her first visit to Atlanta, as well as the first time meeting his parents and sisters. Everyone felt varying degrees of anxious, eager, hopeful. Elaine worried the most, both because she was the worrying kind and because Daniel didn’t have the best track record when it came to girls. His high school sweetheart had (snip

This is First Comes Love by Emily Giffin. Was this opening page compelling to you?

My vote: no.

I loved the voice and the writing, but for me there were no compelling story questions. Oh, there’s the “it happened” tease, but that kind of thing only irritates this reader. The “it” could be anything—for example, marrying the woman we soon learn about (that’s not “it”). We open with musing and then slide into backstory. I’m sure other readers would want to stay with it, but not me.

Your thoughts?

Turn the page for free by utilizing Amazon’s “Look inside” feature, and I recommend doing that if you have the time and interest. First Comes Love is here.

Stop by my Monday “Flog a BookBubber” feature at Flogging the Quill. BookBub is a website that offers free or very low cost ebooks. It is heavily used by self-publishers, though established authors are sometimes there.

We often see the meme on the Internet that self-published authors should have had editing done before they published. So the new Flog a BookBubber posts take a look at opening pages to see if that’s true. You can vote on turning the page and then on whether or not they should have sought an editor. Visit on Mondays and take a look.