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Flog a Pro: Would You Turn the First Page of this Bestseller?

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Trained by reading hundreds of submissions, editors and agents often make their read/not-read decision on the first page. In a customarily formatted book manuscript with chapters starting about 1/3 of the way down the page (double-spaced, 1-inch margins, 12-point type), there are 16 or 17 lines on the first page.

Here’s the question:

Would you pay good money to read the rest of the chapter? With 50 chapters in a book that costs $15, each chapter would be “worth” 30 cents.

So, before you read the excerpt, take 30 cents from your pocket or purse. When you’re done, decide what to do with those three dimes or the quarter and a nickel. It’s not much, but think of paying 30 cents for the rest of the chapter every time you sample a book’s first page. In a sense, time is money for a literary agent working her way through a raft of submissions, and she is spending that resource whenever she turns a page.

Please judge by storytelling quality, not by genre or content—some reject an opening page immediately because of genre, but that’s not a good-enough reason when the point is to analyze for storytelling strength.

How strong is the opening page of this novel—would it, all on its own, hook an agent if it was submitted by an unpublished writer?

Nineteen years before she decided to die, Nora Seed sat in the warmth of the small library at Hazeldene School in the town of Bedford. She sat at a low table staring at a chess board.

‘Nora dear, it’s natural to worry about your future,’ said the librarian, Mrs Elm, her eyes twinkling.

Mrs Elm made her first move. A knight hopping over the neat row of white pawns. ‘Of course, you’re going to be worried about the exams. But you could be anything you want to be, Nora. Think of all that possibility. It’s exciting.’

‘Yes. I suppose it is.’

‘A whole life in front of you.’

‘A whole life.’

‘You could do anything, live anywhere. Somewhere a bit less cold and wet.’

Nora pushed a pawn forward two spaces.

It was hard not to compare Mrs Elm to her mother, who treated Nora like a mistake in need of correction. For instance, when she was a baby her mother had been so worried Nora’s left ear stuck out more than her right that she’d used sticky tape to address the situation, then disguised it beneath a woollen bonnet.

‘I hate the cold and wet,’ added Mrs Elm, for emphasis. Mrs Elm had short grey hair and (snip)

Note: There is a poll embedded within this post, please visit the site to participate in this post's poll.

You can turn the page and read more here. Kindle users can request a sample sent to their devices, and I’ve found this to be a great way to evaluate a narrative that is borderline on the first page and see if it’s worth my coin.

This novel was number two on the New York Times hardcover fiction bestseller list for January 23, 2022. Were the opening pages of the first chapter of The Midnight Library by Matt Haig compelling?

My vote: Yes.

This book received 4.3 out of 5 stars on Amazon. Some agents say that voice is their number one criterion in evaluating submissions, and that’s the same for me much of the time. It can be the deciding factor when the tension level is on the fence.

In addition to an appealing voice and crisp writing, the opening line was highly alluring bait on the hook. It raises story questions immediately. True, the narrative then slips into backstory, but the conversation is really about the theme of the novel, and it introduced someone who, for me, looks like a sympathetic character. So I’d give it another page or two to take root. (The next chapter opens with “Twenty-seven hours before she decided to die . . .” The rest of that chapter got me and I bought the book.) Your thoughts?

(Poll)

You’re invited to a flogging—your own You see here the insights fresh eyes bring to the performance of bestseller first pages, so why not do the same with the opening of your WIP? Submit your prologue/first chapter to my blog, Flogging the Quill, and I’ll give you my thoughts and even a little line editing if I see a need. And the readers of FtQ are good at offering constructive notes, too. Hope to see you there.

To submit, email your first chapter or prologue (or both) as an attachment to me, and let me know if it’s okay to use your first page and to post the complete chapter.


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